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Visiting Teachers 2007
Alex Pinder (Australia), Acting & Movement Teacher
Alex has over 20 years experience in the performing arts, as an actor, director and theatre/acting teacher. He received his acting training at The Ensemble, Sydney, in areas such as voice, movement, improvisation, script and scene work, and subsequently at L’Ecole Jacques Lecoq in Paris for movement and mime, and neutral mask. He has taught subjects in movement and acting at The Victorian College of the Arts, The National Institute of Circus Arts and Deakin University (all Melbourne), which included subjects in mime, clowning, commedia and the neutral mask. Alex also taught the well-known Lecoq 20 Movements, where students choreograph and perform, using only the mime movements exercises taught in class. In January 2006, he taught commedia at The Darpana Academy of Performing Arts, with Mallika Sarabhai, in Ahmedabad, India, exploring character in the context of local folk tales and the Ramayana.
Alex has produced and directed his own productions including Cyrano de Bergerac, Twelfth Night and Much Ado About Nothing all of which have been performed in Melbourne and have toured Victoria. He most recently performed in a reading of Salmon Rusdie’s Midnight’s Children in Melbourne, a complex piece about India’s independence.
Jarrod Benson (Australia), Voice Teacher
Jarrod holds a Licentiate in Speech & Drama Australia awarded by the Australian Music Examinations Board (Melbourne University). He also has a Certificate IV in Assessment and Workplace Training awarded by Melbourne University. In addition, Jarrod studied voice with international voice teacher Catherine Fitzmaurice and international Alexander technique voice teachers Jane Heirich (University of Michigan) and Cathie Madden (Assoc Prof University of Washington), as well as studying singing with musical director Mark Jones.
His earlier experience includes voice teaching at the National Theatre Drama School, Melbourne University, Swinburne University, Northern Metropolitan Institute of Tafe, Actor’s Lab and the Actor’s Showcase. He also runs his own workshops and private practices. Jarrod's interest in Asia is fueled by his experience as a Butoh and physical theatre performer.
Li Qiu Ping (China), Beijing Opera Teacher
Mdm Li is Associate Professor of Shanghai School of Opera at Shanghai Theatre Academy China. She has extensive experience as a teacher and actress in Beijing Opera and this is her 4th visit to Singapore to train TTRP's 4th cohort of graduating actor-students.
Visiting Teachers 2006
Aarne Neeme, Teacher,
Acting/Acting for camera/Introduction to European Theatre
Previously a Senior Fellow at National University of Singapore, Aarne Neeme
has directed Hanif Kureishi’s Borderline for The Necessary Stage. He has been Artistic Director for various Australian theatre companies, and is now a freelance director who has frequently been engaged for television work as well as theatre. He has also taught at various tertiary institutions in New Zealand and Australia over the last twenty years.
Tian
Wei Xu, Teacher, Acting
Currently resident actor with National Theatre Company of China,
Wei Xu was also a full time actor with the Shanxi Cultural Troupe
and China Youth Arts Academy. An accomplished director and actor,
Wei Xu has performed in more than thirty productions from Shakespeare
to Cao Yu. He is also no stranger to the film industry, having directed
“The Silent Dawn”, “Water from Heaven” and
several other made for television series. In 1993 Wei Xu worked
with renowned Director Zhang Yi Mou as Assistant Director in the
comedy/drama “Qiu Ju Goes to Court”.
Airan
Berg, Teacher, Digital Media
Airan Berg has been the Artistic Director of the Vienna Schauspielhaus
since March 2001. Airan has a strong global outlook counting Indonesia,
Singapore, Australia, New Zealand, Berlin and the United States
among his many stops. He founded the Theater ohne Grenzen together
with Martina Winkel and begun the first international puppet theater
festival for adults “Die Macht des Staunens”. He was
also the directorial assistant and co-director with Claus Peymann
and Peter Zadek while at the Burgtheatre, where he went on to stage
the first independent production.
Martina Winkel, Teacher, Digital
Media
Martina is a founding member of Theater ohne Grenzen (Theatre without
Borders and Boundaries) and is currently its Artistic Director. She
was also Artistic Co-Director (with Airan Berg) of Die Macht des Staunens
(The Power of Wonder), International Puppetry Festival for Adults,
Vienna. Martina is best known as a director who enjoys experimenting
with various mediums from shadow puppets to video installations. Also
a globe trotter, Martina has brought her productions to London, Johannesburg,
Melbourne, Moscow, Istanbul, Akko, Porto, Bologna, Berlin, Munich
and other cities.
Kanze
Yoshimasa, Teacher, Noh Theatre
The only son of Yoshiyuki Kanze, the 4th head of Kanze Kyuhkoh-kai,
Mr. Kanze was taught and trained by his father, and made his professional
debut at the age of three. He then went on to study at the Keio
University. He is a board member in Kanze Kyuhkoh-kai and member
of the Japan Nôgaku Association (Tokyo Branch).
Kuwata Takashi, Teacher, Noh Theatre
Kuwata Takashi is an actor and teacher of the
Kanze School of Noh.
Richard
Emmert, Teacher, Noh Theatre
Richard Emmert is a certified Kita school Noh instructor, who has
studied, taught and performed all aspects of Noh performance in
Japan since 1973. He has also composed and arranged music in Noh
style for several English Noh plays which in which he also served
as an actor and director. Emmert is the co-author of seven Noh Performance
Guides published by the National Noh Theatre in Tokyo. He teaches
Asian Theatre and Music at Musashino Women's University in Tokyo.
Gopalan
Nair Venu, Teacher, Kutiyattam
Gopal Venu received his training in Kutiyattam from Gurus Ammannur
Madhava Chakyar and Ammannur Parameswara Chakyar in the traditional
GURUKULA SYSTEM. He is active in the field of Kutiyattam as a performer,
researcher and director. Venu has also written several books on
the traditional art-forms of Kerala. Venu was nominated as one of
the four honorary directors of “World Theatre” along
with eminent Swedish theatre director Peter Oskarson and Peking
opera master Ma Ke. In 2000, Venu’s brainchild the International
Acting Laboratory or Abhinaya Kalari was inaugurated.
Kum.
Kapila Venu, Teacher, Kutiyattam
The legendary master Guru Ammannur Madhava Chakyar initiated Kapila
into Kuttiyattam at the tender age of seven. Kapila staged her debut
at the age of eleven performing Purappadu in Nangiar Koothu. She
regularly performs at important festivals and other venues both
in India and abroad. She has also been invited to conduct workshops
at the Rietberg Museum in Zurich and has participated in the World
Theatre Project in Sweden. Kapila has performed the major female
roles including Sakuntala in Abhijnana Sakuntalam of Mahakavi Kalidasa.
T.R.
Sooraj (Sooraj Nambiar), Teacher, Kutiyattam
Sooraj was initiated into Kuttiyatam at the age of nine by Guru
Ammannur Madhava Chakyar and made his debut in 1991 at Natana Kairali.
Sooraj performs most of the important roles of the important Kutiyattam
and also performs Chakyar Koothu. He has performed widely within
India and overseas. He has also traveled to present his solo performance
and was one of the two actors representing India at the World Theatre
Project, Sweden. He presently works as a Kutiyattam Artist at Natana
Kairali performing leading roles in the traditional works as well
as newly composed Kutiyattam plays.
Guest Directors
Phillip B. Zarrilli, Director, Attempts On Her Life (September 2007)
Phillip Zarrilli is currently Professor of Drama at the University of Exeter (UK) where he teaches his psychophysical intensive training as part of the BA and MA (Physical Performance) programmes of study, and where he supervises traditional research and research through practice toward M.Phil and PhD degrees.
Phillip is internationally known for training actors and dancers through Asian martial arts and yoga, and for critically-acclaimed, award winning productions of Beckett's plays.
As a director, Zarrilli has worked closely with bharatanatyam dancer/choreographer Gita Kolanad. Their production of Walking Naked opened in Chennai in 1998, and toured through the USA, UK and Korea up to 2002. Zarrilli also worked with Theatre Asou, Austria, on Speaking Stones (text by Kaite O'Reilly), which opened in September 2002, and has gone on to the Maski Festival, and Wroclaw Grotowski Centre, Poland, and with Sangalpam Dance Company (UK) on an adaptation of a 7th-century Sanskrit farce, The Dance of the Drunken Monk. He is also well known for his directing and performing work in The Beckett Project, an ongoing collaboration with American actress Patricia Boyette that has received acclaim in the US and Europe.
Russell
Cheek, Director, Devised (March 2006)
An actor, director and corporate trainer, Russell Cheek has performed
for theatre and television while performing, writing and directing
for groups like the Asian Education Foundation, Charles Stuart University
and the Castanet Club. Upon graduating from the Ecole Jacques Lecoq,
Russell became a founding member of Parapluie International Theatre
Company (Paris) and The Theater Am Turm, Frankfurt, Germany. He
has also produced and self devised several performances, while being
part of “The Change Dynamic” a corporate consultancy
firm that served clients in Australia, France, Belgium, NZ and Canada.
Phillip
B. Zarrilli, Director, The Beckett Project (August 2006)
See above.
Patricia
Boyette, Assistant Director, The Beckett Project (August 2006)
Patricia Boyette, is associate professor at the University of Wisconson-Madison
Department of Theatre and Drama, and a preeminent theater scholar-performer
in the US. Trained at the American Conservatory Theatre, the London
Academy of Music and Dramatic Arts, and the Stratford Festival,
Boyette has performed extensively in the United Kingdom and across
the United States, attracting critical acclaim in works spanning
from Shakespeare to Tennessee Williams to Noel Coward. She has also
directed a number of plays.
Patricia
is also well known for her endeavour to research, develop and perform
a series of Samuel Beckett plays written for female actors. Her
investigation into acting methodology in Beckett's work is being
conducted in collaboration with Billie Whitelaw, the renowned English
stage player who originated the female roles in the premiere runs
of several Beckett productions.
Click
here to view a list of past faculty and visiting teachers.
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